Friday, June 21, 2019

Tromp Loeil &the Interior (Renaissance) Essay Example | Topics and Well Written Essays - 1750 words

Tromp Loeil &the Interior (Renaissance) - Essay ExampleTheir creation was art and architecture whose sole motive was to deceive the eye on the reality of a painting. This was to be known as Trompe loeil, which in French is literally to deceive the eye (Damisch, 1984)1. This trompe loeil paintings and architecture have existed since then and ar a crucial part of modern art and architecture. Trompe loeil is a style of art that was developed and popularized in the Renaissance era (Kristeller, 1965)2. The main technique utilise by these ancient artists was utilize perspective manipulations to achieve paintings that were self-reflective. The second crucial technique was in using art to develop deception through epitome wonderment (Damisch, 1984)3. The principle of double wonderment focused on two perspectives. The first perspective was to make the viewers of these images whether the paintings were real. Second wonder aroused by the painting was the question of just how the artist achi eved such an effect The use of oils was another prominent technique used in the renaissance paintings. Oils enhanced imitation of distance using a gradation of tones. Light colored oils were used in the foreground picture flame. One of the main techniques of trompe loeil was linear perspective. This was a means of representing farthermost away intents to scale with the close objects. Shading was also an indispensable technique for trompe loeil. ... Artists in the Renaissance era used techniques in painting that created a perception of depth. To achieve depth they had to employ a three dimensional perspective. One of the main techniques used by these artists was to overlap objects. When an object is drawn in front of another and overlapping it, the first object appears to be in front. In the Renaissance paintings, overlapping was the strongest indication of distance, and as objects be overridden continually, the perceived distance increases. Another technique used in the trompe loeil interiors of the renaissance era was use of diminishing scale. Objects were drawn into scale of size using this technique. Where two objects of the known same size are drawn one bigger than the other one, the bigger image is perceived to be closer. This was used extensively in the renaissance era especially with the Trompe loeil interiors (Tzonis, 1986)5. The artists in the renaissance era also used technique of diagonal lines to achieve diminishing scale. Where lines are drawn to narrow as they go further away, they create an illusion of depth. This is perhaps the most used technique in the Trompe loeil paintings. Diagonal lines were multicolored as they moved towards each other creating a perception of depth and diminishing scale. Another technique was the use of colors. A common assumption in art and architecture is that people see bright colors as being close. Such colors such as red and yellow are deemed to be close. The most commonly application of this technique in the renaissance was in drawing and painting of landscapes. For landscapes, to achieve depth, blue is used to haze far away objects giving an illusion of

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